Tania Pérez Córdova: Sculptures as Events | In Conversation with Lauren Cornell

Ocula

Take We Focus on a Woman Facing Sideways (2013–2017), most recently recreated for the artist's solo exhibition at the Museum of Contemporary Art Chicago (Smoke, nearby, 15 April–20 August 2017). Bridging a corner in the exhibition space, a slender strip of bronze held a Swarovski crystal earring. Nearby, a text read: 'A woman is missing her left earring. It is suspended on a brass ribbon in the gallery. Until it is reunited with its mate the sculpture exists in both places simultaneously.'

 

By expanding the material presence of objects—signalling their simultaneous existence elsewhere, as in the case of this work—Pérez Córdova reflects on the mutability of time.

January 13, 2021
290 
of 400